Sunday, August 1, 2010
OPEN SECRETS, CULPABILITY and AN ARAB MUSICAL NOTE
A few posts back, to which I will link at the bottom, I highlighted establishment of the MENA Admiral Fund, located at Dover Delaware Air Force Base, Senator Biden's home state, AND, I mentioned in relation to Admiral Fund's incorporation, Ogier's OFFSHORE Cayman Islands legal consulting firm.
I hope you perused Ogier website, provided in that post.
But, just in case you did not, here's a link to Ogier again.
A MAP is available on their website providing EXACT location of their offices on the CAYMAN OFFSHORE ISLANDS.
However, they have locations on the mainland as well.
One does not need Wikileaks to know WHO is doing what to whom and WHY.
OPEN SECRETS are there for EVERYONE to see, IF, of course, one bothers to LOOK.
ALL are NAZI supporters, affiliates, enablers, profiteers, reactionaries, counter-revolutionaries, etc.
ALL are as, if not MORE, culpable than those who pull triggers, carry guns, machetes, knives, weapons, bombs, etc., perform the hands on, front line, dirty work, themselves.
But, the above are EXPENDABLE parts.
These are CLEAN NAZIS, THE worse kind.
They NEVER dirty, soil their hands with human blood, killing, torture, "collateral damage" of warfare and economic usurpation, dislocation, etc.
They NEVER suffer psychological, emotional breakdown or economic consequences OF THEIR OWN SPONSORED BARBARIC DIRTY WORK.
Nor EVER are they executed, prosecuted for WAR CRIMES, complicity, culpability.
Instead,they profit handsomely from the outsourced hired help, mercenaries, goon squads, thugs all of whom, along with their victims, suffer ALL nasty consequences themselves.
We have a humongous GLOBAL NAZI coterie Establishment and PARASITICALLY rewarded commercial apparatus fitting the preceding category.
ONE more example I will use, in addition to Ogier, our ENTIRE crappy, cheer leading COMMERCIAL, CORPORATE media and vast, exported entertainment INDUSTRY.
Every last one of them.
Why do so-called "popularized" commercial media entertainers, TV personalities, athletes, "news" personnel, etc., earn disproportionate umpteen millions of dollars when they do ABSOLUTELY NOTHING remotely commensurate with wage workers such as nurses aides, attendants, people who CARE for our elderly, disabled, etc., SOCIALLY NECESSARY, PHYSICALLY, EMOTIONALLY DEMANDING, DIFFICULT, CHALLENGING, HARD DIRTY WORK, LABOR, and who earn pennies above our minimum wage, barely, hardly enough to survive, some not even making $10 an hour and often without medical insurance themselves!!
That's just one example.
I could go on.
It is a vast, endless list.
ALL above ARE PARASITICAL NAZI ACCOMPLICES.
ALL ARE ACCOUNTABLE, RESPONSIBLE and MUST BE TREATED AS SUCH, TARGETED, ISOLATED, BOYCOTTED, EXPOSED, PROSECUTED, QUARANTINED, SANCTIONED AND ELIMINATED, LIQUIDATED ULTIMATELY.
So, where is everyone?:
For reference, my post a few days ago about the MENA Admiral Fund:
A MUSICAL ARAB NOTE
Often, I end on a more upbeat, uplifting, classical music note.
So, this time, something a little different, in particular, contrasted with our crappy, NAZI commercial media, cheerleaders, enthusiasts, named above.
How I circuitously came to the entry below is a demonstration of a Law of Unintended Consequences.
While perusing some websites, blogs, for political/economic information, I came upon a musical video entry at the bottom of a post on General Nebuchadnezzar's blog.
So, I followed through the Arab musical video to youtube and began listening to OTHER postings of a similar genre.
Iraq Maqam Blogspot offers a copious amount on youtube.
Since I am unable to read Arabic script nor understand a word, I simply follow musically.
I selected the following, partly, PERHAPS, because it had the irresistible quality of the name/word, "BACH," in English, in its heading.
HOWEVER, at Iraq Maqam Blogspot, (in English and Arabic) they feature an ENTICING musical selection of videos from a FIRST, 1932, CAIRO CONGRESS OF ARAB MUSIC.
I tried desperately to hear those 1932 sound videos, but, alas, I could HEAR very little.
Either the quality of the recording is too poor, OR, perhaps, the problem is at my end.
I do not know.
But, it was a giant disappointment to me.
However, I did NOT try EVERY SINGLE entry in one sitting.
Anyway, here's the first, more current recording, Arab BACH Maqam:
And, then, a SAMPLE from the First 1932 Cairo Congress of Arab Music to which I/they refer, above, which, IF you hear it WELL, the problem being at my end.
It is audible, but, just barely so to me: